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WRITING

– Forthcoming –

Knotts, Shelly. “Live Coding and Failure.” in Pearson, Lara and Hamilton, Andy (eds.) Aesthetics of Imperfection. Bloomsbury.

Knotts, Shelly and Nick Collins. “AI-lectronica: Music AI in clubs and studio production.” in Miranda, Eduardo (eds.) Handbook of Artificial Intelligence for Music (eds.) Eduardo Miranda.

– 2019 –

Collins, Nick, and Shelly Knotts. “A javascript musical machine listening library.” Proceedings of the International Computer Music Conference 2019., 2019.

Soon, Winnie, and Shelly Knotts. “Aesthetic Coding: Exploring Computational Culture Beyond Creative Coding.” International Symposium on Computational Media Art (ISCMA) 2019. School of Creative Media City University of Hong Kong, 2019.

Zoyander Street, Alejandro Albornoz, Renik Bell, Guy John, Olivia Jack, Shelly Knotts, Alex McLean, Neil C Smith, Atsushi Tadokoro, J Simon van der Walt, Gabriel Rea Velasco.  (2019) “Towards Improving Collaboration Between Visualists and Musicians at Algoraves.” Proceedings of the International Conference of Live Coding, MediaLab Prado, Madrid. 2019.

– 2018 –

Gifford, T., Knotts, S., McCormack, J., Kalonaris, S., Yee-King, M., & d’Inverno, M. (2018). Computational systems for music improvisation. Digital Creativity29(1), 19-36.

Knotts, Shelly, and Joanne Armitage. “VIBEZ: A Small Sense of Presence at a Distance.” Proceedings of International Conference on Live Interfaces, Porto. 2018.

Knotts, Shelly, and Joanne Armitage. “ALGOBABEZ: Writing Code, Pushing Buttons.” Dancecult: Journal of Electronic Dance Music Culture 10.1 (2018).

Knotts, Shelly, and Nick Collins. “Introduction to Algorithmic EDM.” Dancecult: Journal of Electronic Dance Music Culture10.1 (2018).

– 2017 –

Skuse, Amble, and Shelly Knotts. (2017). “Diversity= Algorithmic.” Proceedings of International Conference on Live Interfaces, CMMAS, Morelia. 2017.

Alessandrini, Patricia and Shelly Knotts. (2017). “Letter from the Guest Editors.” In Array: The Journal of the ICMA 2017-2018

Gifford, T., Knotts, S., Kalonaris, S., & McCormack, J. (2017). Evaluating Improvisational Interfaces. ICW2017: Proceedings of the Improvisational Creativity Worskshop.

– 2016 –

Knotts, Shelly. “Algorithmic Interfaces for Collaborative Improvisation.” Proceedings of International Conference on Live Interfaces, Sussex. 2016.

– 2015 –

Knotts, S., ‘Changing Music’s Constitution: Network Music and Radical
Democratization’, Leonardo Music Journal, vol. 25, 2015. (publication due November 2015).

McLean A., Magnusson T., Ng K., Knotts S., Armitage J (eds.), Proceedings of the First International Conference on Live Coding, ICSRiM, University of Leeds.

– 2014 –

Knotts, S. and N. Collins, ‘The politics of laptop ensembles: A survey of 160 laptop ensembles and their organisational structures.’ Proceedings of the International Conference on New Interfaces for Musical Expression 2014, Goldsmiths University of London, 2014, pp. 191-194.

Hutchins, C., Ballweg, H., Knotts, S., Hummel, J., and Roberts, A, ‘Soundbeam: A Platform for Sonifying Web Tracking.’, Proceedings of the International Conference on New Interfaces for Musical Expression 2014, Goldsmiths University of London, 2014, pp.497-498.

– 2008 –

Chordophonia composed Knotts, S., ‘Why record? Life in the Age of Digital Performance’, Leonardo Music Journal CD Series, vol. 18, 2008, [CD Recording].

 

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