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PUBLICATIONS

– 2019 –

Collins, Nick, and Shelly Knotts. “A javascript musical machine listening library.” Proceedings of the International Computer Music Conference 2019., 2019.

Soon, Winnie, and Shelly Knotts. “Aesthetic Coding: Exploring Computational Culture Beyond Creative Coding.” International Symposium on Computational Media Art (ISCMA) 2019. School of Creative Media City University of Hong Kong, 2019.

Street, Z., Albornoz, A., Bell, R., John, G., Jack, O., Knotts, S., … & Velasco, G. R. Towards Improving Collaboration Between Visualists and Musicians at Algoraves. Proceedings of the Interntional Conference of Live Coding 2019.

– 2018 –

Gifford, T., Knotts, S., McCormack, J., Kalonaris, S., Yee-King, M., & d’Inverno, M. (2018). Computational systems for music improvisation. Digital Creativity29(1), 19-36.

Knotts, Shelly, and Joanne Armitage. “VIBEZ: A Small Sense of Presence at a Distance.” Proceedings of International Conference on Live Interfaces, Porto. 2018.

Knotts, Shelly, and Joanne Armitage. “ALGOBABEZ: Writing Code, Pushing Buttons.” Dancecult: Journal of Electronic Dance Music Culture 10.1 (2018).

Knotts, Shelly, and Nick Collins. “Introduction to Algorithmic EDM.” Dancecult: Journal of Electronic Dance Music Culture10.1 (2018).

– 2017 –

Gifford, T., Knotts, S., Kalonaris, S., & McCormack, J. (2017). Evaluating Improvisational Interfaces. ICW2017: Proceedings of the Improvisational Creativity Worskshop.

– 2016 –

Knotts, Shelly. “Algorithmic Interfaces for Collaborative Improvisation.” Proceedings of International Conference on Live Interfaces, Sussex. 2016.

– 2015 –

Knotts, S., ‘Changing Music’s Constitution: Network Music and Radical
Democratization’, Leonardo Music Journal, vol. 25, 2015. (publication due November 2015).

McLean A., Magnusson T., Ng K., Knotts S., Armitage J (eds.), Proceedings of the First International Conference on Live Coding, ICSRiM, University of Leeds.

– 2014 –

Knotts, S. and N. Collins, ‘The politics of laptop ensembles: A survey of 160 laptop ensembles and their organisational structures.’ Proceedings of the International Conference on New Interfaces for Musical Expression 2014, Goldsmiths University of London, 2014, pp. 191-194.

Hutchins, C., Ballweg, H., Knotts, S., Hummel, J., and Roberts, A, ‘Soundbeam: A Platform for Sonifying Web Tracking.’, Proceedings of the International Conference on New Interfaces for Musical Expression 2014, Goldsmiths University of London, 2014, pp.497-498.

– 2012 –

Etude #16,527 composed Knotts, S., ‘CP0X05 RissEP’, Chordpunch, 2012, [Digital Download] http://chordpunch.com/releases/cp0x05/.

– 2008 –

Chordophonia composed Knotts, S., ‘Why record? Life in the Age of Digital Performance’, Leonardo Music Journal CD Series, vol. 18, 2008, [CD Recording].

 

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