Skip to content



9th September-14th October 2021 / Seascapes, Barnes Institute, Whitburn, Sunderland / WORKSHOPS: “Whitburn Resonance: Community Soundmapping”

13th October 2021 / Montreal Connect, ONLINE / PANEL: “SuperContinent Ensemble”

28th October 2021 / S+T+Art: AI and Music, CCCB, Barcelona, ES / PANEL: “Musicians Learning Machine Learning”

5th November 2021 / APO33, Nanes, FR / WORKSHOP: “Live Coding Music in SuperCollider

13th November 2021 / KI Festival @ Deutsches Hygiene Museum, Dresden, DE / WORKSHOP: “Live Coding Music in SuperCollider


14th September 2021 / On-The-Fly Cantina, ONLINE / Hosting session: “How can we contextualize live coding practice within the social and political conditions of the present?”

26th June 2021 / Music and/as Process Symposium, ONLINE / “Sustainable Platforms and Curation for Network Music in the Age of Crisis”

24th June 2021 / CAKE 38: Small Stories and Great communities: Art in Action, ONLINE / “SeaAIR Labs: Changing Coastline”

16th June 2021 / New Interfaces for Musical Expression 2021, Shanghai and ONLINE / “Algorithmic Power Ballads”

3rd June 2021 / CalTech, US / “Algorithmic Performance”

26th May 2021 / Paratext @ Hangar, Barcelona, ES / “‘We all Begin in Abstraction…'”

25th May 2021 / Dublab, Barcelona, ES / Appearance on TOPLAP BCN Radio show

13th April 2021 / Berklee College of Music / “Algorithmic Performance Practices”

16th March 2021 / CeReNeM Colloquium “Remote Music Performance”, Huddersfield/ONLINE / “Network Music Practices and the Network Music Festival”

26th January 2021 / Music Department Research Forum, Durham University / “Performing with Machine Listening in the Browser”

12th November 2020 / Nuremberg Digital: REMOTE, ONLINE / “Punk Programming: Recoding the Politics of Electronic Music”

11th November 2020 / Kingston University, London / “Punk Programming: Recoding the Politics of Electronic Music”

26th October 2020 / Physically Distant #3: the network, the pandemic, and telematic performance, ONLINE / PANEL: “Communities of practice for the digital arts”

13th September 2020 / Ars Electronic, ONLINE / PANEL: “Music as Experience in an age of Artificial Intelligence and Computational Creativity”

23rd July 2020 / New Interfaces for Musical Expression, Birmingham & ONLINE / “A survey on the uptake of Music AI Software

23rd July 2020 / New Interfaces for Musical Expression, Birmingham & ONLINE / “Creating an Online Ensemble for Home Based Disabled Musicians: why disabled people must be at the heart of developing technology.

10th June 2020 / Die Junge Akademie, Dresden & ONLINE / PANEL: “Digitale (Hoch-) Kultur in Zeiten von Corona”

10th June 2020 / 4th Space, Montreal & ONLINE / PANEL: SuperContinent

3rd June 2020 / Physically distant: talks on telematic performance @ Luleå University of Technology, ONLINE / Network Music Roundtable

6th March 2020 / Biology and AI, Dundee University / “Molecular Soundscapes”

17th January 2020 / Algorithms for Her Symposium, Kings College London / “Punk Programming: Appropriating Riot Grrrl in the Algorithmic Age.”

20th November 2019 / FACT///.Mapping Feminists Coding Practices Symposium, Sussex University / “Feminist Algorithmic Music Practices”

9th November 2019 / Zündfunk Netzkongress, Bayern Zwei, Volkstheatre Munich / “Algorave: Dance Music with Code”

17th October / Amsterdam Dance Event, De La Mar Theatre, Amsterdam / Panel Session: “Live Coded Music” / w. Coral Manton and Fernando Garibay

11th Oct 2019 / Panel session on Artificial Intelligence, No Bounds Festival, Kelham Island Museum, Sheffield / “Live Coding and Machine Listening” + Panel discussion w. Coral Manton, Leila Johnstone and Christopher Haworth. 

5th October 2019 / Philosophy of Improvisation: The Aesthetics of Imperfection Workshop, Literary and Philosophical Society, Newcastle Upon Tyne / “Live Coding and Failure”

19th September 2019 / 6th International Conference on Arts and Humanities, Kuala Lumpur / Plenary talk: “Feminist Algorithmic Music Practices”

29th July 2019 / Immersive Cultures: Developers to Museums, Seven Stories, Newcastle Upon Tyne / “Code, Data and Collaboration” + Panel discussion.

24th July 2019 / MIMIC Workshop, Sussex University / “MMLL”

11th July 2019 / ELECTRONIC BODIES AND THE ABSTRACT MORPHOLOGY OF THE REAL Seminar, Electropixel #9, Goldsmiths University / “Feminist Algorithmic Music Practices”

13th June 2019 / Future Music Day, Royal Northern College Music, Manchester / “Future Music: Live Coding” + Panel session.

7th May 2019 / Automation and Me Symposium, Leeds International Festival, Leeds / Panel Session: “Automation and Performance” w. Joanne Armitage, Coral Manton Ekaterina Chokova and Lia Mice.

29th April 2019 / DAF @ Kunst Akademie, Nürnberg  /  “Live Coding Fieldnotes”

2nd Nov 2018 / Kunsthal Aarhus, DK / “Annoying Algorithms: or Critical Approaches to Performing with and through Algorithms”

4th Oct 2018 / Phonos, Hangar, Barcelona / “Live Coding Fieldnotes”


18th September 2021 / IKLECTIK Art Lab, London / “Live Coding Music in SuperCollider

2nd June 2021 / Amid Space, Prague, CZ / “How to Live Code in Hydra”

20th May 2021 / TOPLAP BCN @ Hangar, Barcelona, ES / “SuperCollider Live Coding Practice”

5th May 2021 / MUTEK @ Hangar, Barcelona, ES / “Introduction to Live Coding in SuperCollider”

21st-23rd April 2021 / Hybrid Labs, Liepaja, LT / “Introduction to Live Coding in SuperCollider”

23rd October 2021 / Amsterdam Dance Event, ONLINE / “Algorave Masterclass”

7th February 2020 / International Conference on Live Coding, Limerick / “Approaches to Working in a Flexible Network, Reimagining the Ensemble.” / w. Amble Skuse

9th November 2019 / Zündfunk Netzkongress, Bayern Zwei, Volkstheatre Munich / “Introduction to Algoraving”

19th September 2019 / 6th International Conference on Arts and Humanities, Kuala Lumpur / “Live Coding: Collaboration, Learning and Decolonization.” / w. David Ogborn, Luis Navarro Del Angel and Abhinay Khoparzi.

18th May 2019 / Algomech Festival, Sheffield / “Machine Listening with MIMIC”

30th April-2nd May 2019 / DAF @ Kunst Akademie, Nürnberg / “Introduction to Algorave”

22nd March 2019 / Algorithmic Art Assembly, Gray Area, San Francisco / “Beginners Live Coding Workshop for Women and Non-Binary People” w. Joanne Armitage

14th March 2019 / Worcester Polytechnic Institute, Worcester, Massachusets, US / “Introduction to Live Coding” (women only) w. Joanne Armitage

10th March 2019 / SXSW, Austin, Texas, “Dancing to Algorithms: How to Algorave” w. Antonio Roberts, Alexandra Cardenas and Joanne Armitage

22nd February 2019 / Festival of Creative Learning, Edinburgh University, Edinburgh / “Introducing Hydra, Live Coding for Visuals”

16th Jan 2019 / International Conference on Live Coding, Madrid / “Platforms and Practices for Geographically Distributed Live Coding” / w. David Ogborn and Eldad Tsabary.

1st Nov 2018 / Aarhus University, DK / “Live Coding Fieldnotes”

5th October 2018 / Musikbibliotek, Odense, DK / “Introduction to Live Coding in SuperCollider” w. Mads Kjeldgaard and Joanne Armitage.

6th Sept 2018 / London Music Hackspace, Somerset House / “Make Music with Code”

23rd Aug 2018 / Mutek, Montreal, CA / “Introduction to Live Coding and Sound Synthesis” w. Joanne Armitage

%d bloggers like this: